Daughter of Gor
By Olga Turlovna
14 - I resume my progress up the River
Nyoka
Just below my feet, the Nyoka continues
its sedate progress downstream towards Thassa – the sea. It has
likely made this same journey for millennia, unconcerned by the
events of human or Priest Kings, and it will likely continue long
after I am gone.
I find its steady presence comforting
and try to distract myself, watching any movements of ripples and
eddies that distort the smooth surface.
At one point I see a miniature
whirlpool disturb the tranquillity, perhaps created by the abrupt
movement of some living creature hidden below in the muddy water.
“I still say that this one should
have been first prow,” a man’s voice says, the sound of
conversation coming from somewhere close behind me. “Now there, is
something quite exceptional.”
He called me exceptional, but I am
exceptional in a far more profound way than he realises. I am perhaps
the only human being on Gor, or perhaps in the history of the
universe, to have truly changed sex.
It was less than a Gorean month ago
that I was a man, a strong and virile man. I was a soldier, a
warrior, just as the man conversing is a warrior.
That was before the Priest Kings gave
me my mission. I’d wanted a mission, and for my sins, they gave me
one. They made me female.
At the back of my knee I feel a sharp
sting. Some kind of mosquitolike Gorean insect is biting me. I have
been the victim of several such attacks since we began our journey
upriver towards the fortified compound of Kurtz on Lake Shaba.
Assuming these creatures are real and the heat isn’t making me
hallucinate, my flesh is delightful enough to eat.
My wish would be to swat the insect,
but I’m currently unable to reach it. In fact I can barely move at
all – these men having bound me tightly to the prow of their
longship.
I have a little freedom to turn my head
from side to side, and to look up and down, and I can also flex my
fingers and wiggle my toes. I am able to writhe my woman’s body
sensuously, which I must do occasionally to ease the discomfort in my
thighs, but that completes the list of my available options for
movement.
“One ahn,” a second male voice
replies. “We will be there in one ahn, and the rest of the compound
can debate which should be first prow.”
An ahn is a Gorean hour. I will be at
least another hour trapped in this position.
My spirits sink so low that tears well
in my eyes.
The prow I’m lashed to is not quite
vertical, but forms a gentle cupid’s bow. My body is bound against
this curve, so my back arches and assumes the same shape, pushing my
torso out and displaying it more completely.
My arms have been stretched upwards,
wrists lashed together and secured to the prow somewhere far above my
head, in a fashion that pushes my ribcage and my breasts out even
further.
While the weight suspended from my arms
makes them feel like they’re being pulled from their sockets, it is
the position of my legs that strains my back and makes this ride
really uncomfortable.
My long slender legs, the men tied
either side of the prow, parted and restrained at the knees. Those
knees are secured bent at the joint, with my ankles almost pulled
backwards almost to touch my buttocks with my heels. To complete the
arrangement, my ankles were lashed somewhere behind me out of my
sight, and in this position I remain, unable to straighten my legs
out.
Thus, my bodyweight is suspended by a
combination of my wrists; my upper back (where my spine rests against
the prow); and my stretched thighs.
Goreans call this the bow-tie, I was
informed by my captors. Not because it resembles the Urth garment of
the same name worn by men, but because the shape formed resembles a
longbow. The woman forms the curved shape of the wooden bow itself,
and the ropes around the prow form the bow string.
In the army, they used to call it a
stress position.
I distract myself by recalling that
there is a different position known as the Gorean Bow and attempting
to visualise it, where a kneeling woman leans back so her head
touches the floor, keeping her body lifted from the ground. But I am
not in this pose.
“She moves pleasingly in her bonds,”
the first man comments from behind me when I stretch and strain,
trying to ease my thigh muscles.
It’s early morning but the sun is
already getting hot. If I follow the complexion of most redheads, any
areas of exposed skin I present to the UV will burn easily.
That will likely prove a problem,
seeing as my captors stripped me naked before displaying me at the
prow of their war canoe.
It has been several hours since they
last permitted me clothing.
The ship I adorn is on its way to the
fortified compound of Kurtz, a place located on Lake Shaba in the
Gorean jungle region. My mission is to penetrate this compound in the
guise of a slave girl, and determine why Kurtz has turned from
service of the Priest Kings.
Then I must either return him to their
service or terminate him.
I say ‘guise’, but there is no
falsehood. I will indeed enter his compound as a slave girl.
When I endured the dangerous
transformation process in the service of those same Priest Kings I
already knew that Gor was not a pleasant world to be a woman, and my
brief experience as a female has only confirmed this.
I’d be willing to bet that if I was a
male soldier, I would not currently be bound to the prow, naked and
displayed for men’s pleasure.
However I have to remember that my
gender has also saved me. As a male soldier I might now have been
dead, killed on the barge as my guardian Rorius was.
Grasping at yet another distraction, I
think over what I would do right now, were I a male soldier.
“Status report,” I imagine hearing
the snapped voice of a drill sergeant demand, and I occupy myself by
composing an update for this fictitious fellow.
Events are progressing according to
plan, would be how my situation would be summarised for the platoon
log, but that bland military update would not convey anything of the
tale of death and human misery that has bought me to my current
location.
That report would not detail how the
screams of dying slaves on the barge still ring in my ears. It would
not convey how my success means that I’m now in torment.
I wouldn’t tell them how I can relax
my aching thighs and rest them, but doing that thrusts my pelvis
obscenely forward and increases the strain on my arms. This
relaxation of my thighs also further curves my spine, doubling the
pain in my back.
And I wouldn’t report that my only
alternative is to tense my legs, pushing my naked buttocks back
against the prow as intimately as spooning a lover, relieving the
pain on my upper body but putting the strain back onto my thighs.
When a fresh wave of suffering comes
from nowhere I try to lift myself using my arms, at the same time
fumbling round with my fingers for any means of freeing myself, but
all I can touch are coils of rope.
The knots have been kept out of my
range. Goreans know well how to secure women so they cannot escape.
Soon my muscles fail and I have to sink
back down, and there it goes, the pain in my thighs starts to build
yet again. Aurore’s arms and shoulders are not as a strong as the
ones I used to possess, and I cannot support my bodyweight for long.
I want to cry, but I’m damned if I’ll permit myself the release
of emotion in front of them.
“Do you think that He will give this
one for the use of the warriors?”
It is the voice of the first man.
Comments like this are typical in
demonstrating the casual manner in which the rape of myself and the
other women has been discussed since our capture. They represent the
attitude to women’s right to consent prevalent on Gor.
Political correctness has not reached
this discriminatory planet, and Gorean men are not ashamed to enjoy
women. Rather, they consider it a perfectly natural thing to do, and
take great pleasure from the activity.
I reaffirm that this is not a pleasant
world to be female, unless the numerous scrolls written by slave
girls are to be believed.
Those slaves claim their true nature is
set free by the treatment they receive.
But my transformation into Aurore has
not changed my brain or my nature, so I have the mind of a male, and
a man’s cultural history. That means I’m unlikely to ever
understand this “true female nature” talk, and therefore all I
can hope is that I will not be given “for the use of the men”.
Unfortunately I am a captive female,
whatever the gender of my mind might be, and I accepted it as a risk
of the mission that my captors are likely to do with me as they wish.
This will not be a pleasant day for me.
When I was an Urth soldier, in the
Special Forces, I was trained in preparation for enemy capture. I was
even stripped as naked as I am now, and forced to hold stress
positions as part of a mock
interrogation.
Sexual abuse as a prisoner was never a
concern for me then, however. Few were as entranced by the body of
Aurius, or Arran as I was known on Urth, that they craved to touch
it. For the spectacularly beautiful Aurore, it is an entirely
different matter.
Already they are using my gender to
humiliate me. My knees have been tied well apart, opening the view to
my sex obscenely. I’m unable to close my legs to hide myself, and I
feel very exposed.
I could be penetrated easily like this.
My eyes follow a giant dragonfly like
creature as it zigzags across my vision, so slowly the world might be
playing in slow motion.
“The Ubar will take no interest in
her,” the second man says critically, “He never does, but I bet
Chiron will want her. She’s his type. You’ll have to cross swords
with him if you want rights to the redhead. Are you telling me you
dare test your prowess against he who was once Ar’s second sword?”
Who is Chiron, I wonder.
“He enjoys too much authority while
the Ubar is sick,” first man grumbles. “I tell you, there will be
trouble when the leader tries to reassume his control.”
So, Kurtz is unwell? That is news to
me. Perhaps his sickness explains the interruption in service to the
Priest Kings. This Chiron may not know that Kurtz is an agent of the
Sardar.
“The Ubar will never resume control
unless he acts soon,” the second man says.
“Perhaps this girl will be sufficient
to draw him from the melancholy,” first-voice speculates. “She
would bring life to most men.”
“In that case, you will still not get
her,” his friend retorts with amusement. “Why do you torture
yourself by watching her?”
I shift position in my bonds again,
grinding my teeth with hatred of these men.
Many died last night, warriors on the
barge and the poor slaves that burnt or drowned below, and these
people do not care. They debate who will have sex with me as casually
as if I’m a prize on the table of a card game.
If only I could hide my breasts, and
the area between my legs, I might not feel so helpless. One shred of
dignity would make this bearable. But I’m stuck, on display. A
light sheen of sweat even blooms on me now, making my chest look like
it’s been made up for a girlie calendar.
Kurtz is to blame. I vow to kill him if
I get the chance, whether he’s melancholy or not. We’re so close
to him I can sense it.
Focused on my hate I strain even more
intensely in the ropes and growl with frustration, imagining myself
breaking his neck with my arms. Then I remember that of course, I no
longer have the ability to kill a man with brute strength.
I had some skill at martial arts as a
soldier, but I’ve given all that up. I present no threat to a
healthy adult male.
“I like that she’s feisty,” the
first man, he who wants me, says, and I still myself quickly.
I note that the river is starting to
widen and the current resisting our progress has slowed. There is a
little bit of a breeze developing – the territory ahead must be
open enough to permit this.
“Less than a pasang to go,” the
second man says.
Then, round the next bend, the river
widens dramatically and there it is – the lake. At last, Lake
Ushindi. It’s huge – more like an inland sea. As soon as we break
cover the breeze increases, offering some merciful cooling, and the
surface of the water below me begins to be broken by waves.
Our longship is hugging the marshy
right hand bank. I recall Misk saying that Kurtz’ compound was
between the two rivers, and a pasang is about three quarters of an
Urth mile.
So any moment now I will see it, see
him. I shuffle in my ropes, bracing myself for what is to come.
15 - I make a triumphant entry into the
compound
On Urth, a major sporting success is
often celebrated by parading the victors’ trophy through the home
city. This ritual serves both to intimidate and taunt enemies with
the strength and power of the winners, and to increase the loyalty of
the home supporters, connecting them to the team through shared
participation.
While military captives are being
displayed even today in the current Middle Eastern conflicts,
parading of captive civilian females only took place in older and
more barbaric ages.
The Incas and the Mayans displayed
their women prisoners along with the males, for example, dressing
them humiliatingly to distinguish from their captors. Many of these
women ended up being tortured and sacrificed, although the lucky
females might be sold into slavery.
While on Earth this savage era is
thankfully past, unfortunately on Gor it is not the case. I am not
lashed to the prow simply to make me suffer. I have discovered that
when raiding by boat on Gor, it is traditional to display captive
prizes at the prow of the vessel, live figureheads, and trophies for
the victorious homecoming.
The lead boat will display the highest
status captive, and then women reduce in value with the reducing rank
of the ship.
I am bound to the second prow. Lady
Nessa is ahead of me, she being the wealthiest captive. Jaya, one of
Lady Nessa’s waiting women who I know to be attractive is on the
third boat, and as a terrible insult one of the captured slave girls
has been displayed on the fourth and final boat, rather than her
other waiting woman, the Lady Coleen.
The sun is almost directly overhead us
now. It’s oppressively humid here, with the lake as a further
source of water, and the breeze does not cool me. Insects suck
Aurore’s sweet blood.
Sweat has started running into my eyes,
making them sting. My bare skin streams with so many droplets I might
be showering.
All in all, I’m in a miserable state.
Although I’m about to endure a public
humiliation, when we round a marshy headland and see the fort, I
almost feel relief that this part of my ordeal is over.
So steeling my resolve, I look up as
best as I can, analysing what I see.
I’d expected some crude construction
of mud and straw, so the scale of Kurtz’ fortifications shocks me.
This is not a savages’ building of bamboo – massive jungle trees
have been felled and used for the piling, sunk into earthwork
ramparts raised above the level of the marsh.
The main compound has a wall large
enough to keep King Kong out, constructed from the same vertical tree
trunks. They have been coated with some dark tar-like substance to
protect them from rot. Each one of the many trunks forming the wall
has been sharpened to a spike at its uppermost point.
A pall of smoke hangs over the place,
like the compound is in the middle of an artillery bombardment, but I
know such weapons are not available on Gor.
The heat makes me feel faint,
compounding my woes.
As the lead boat approaches a gate
ponderously opens inwards on the wall facing the lake, and our ship
follows the lead vessel through the opening.
Decorating the two spikes either side
of the gate are the giant decapitated heads of bear-like animals.
They look larger than a bear from Urth.
At first I think it must be some Gorean species I’m not aware of.
Then another idea occurs to me and I shudder.
Are those Kurii?
I’ve never seen the enemy in reality.
These heads look as if they would have been fearsome creatures, but
now they are partially decayed and putrefied. Maggots crawl in sunken
eye sockets.
It is unlikely that Kurtz would have
allied himself with the Kurii while flaunting his gate with their
dead.
I shrink away from them, nude in my
ropes, as we pass beneath the heads and enter the compound.
The compound of Kurtz is arranged with
the buildings backed against the walls, facing into a central
harbour. Again I am struck by the magnitude of the civil engineering.
Kurtz arrived to seize a Kurii landing site, and his men have built
this – or more accurately the slaves to his men have built this.
It’s more like a town than a fort.
However the work is not finished, as if
someone grew disheartened part way through the project. Although it
isn’t apparent from the front, a section of the rear wall is
missing entirely, so an enemy can simply walk in from the inland
side.
Commerce has commenced before the
construction was complete. Sailing ships and galleys of varying sizes
are moored against the numerous jetties. A larger ship has triangular
sails and reminds me of an Arabian dhow.
Ringing the jetties are smoking
braziers, where some kind of plant is burning. These give off the
clouds that blanket the fortifications. The plumes must be visible
from miles across the lake. Kurtz is not concerned with the location
of his home being identified.
Our final destination is at last
apparent to me.
A considerable crowd is gathered on one
part of the wharf. There must be several hundred there. The majority
are men, but I also note a considerable number of female slaves,
mostly dark skinned girls from the local tribes, but also a few white
skinned northern women.
There are no free women among the
crowd, unless they are free women who choose to wear collars and
dress either in slave camisks or walk around the compound naked.
All on the dockside are laughing and
cheering at our approach. People can be cruel.
I am naked and in a lot of pain, and
they’re treating this as some kind of festive occasion.
I feel tears prick in my eyes.
The mocking from the men seems good
natured, but some of the women shake their fists at me, their
expressions distorted into nightmares of pure hate.
A space is ready for us to tie up
side-by-side, the ships’ bows facing the dock, so for the first
time I can look across at the naked Lady Nessa, bound to her prow at
my left, and see Lady Jaya, similarly nude at my right.
The front of Lady Nessa’s vessel is
straighter than the one I decorate, so she has been bound stretched
out, arms together above her head and ankles together down below.
Jaya, a raven black haired girl with
olive skin, almost as beautiful as Lady Nessa, has been bound
similarly to myself. Her face is a rictus of suffering. I wonder if I
look as tortured.
Only three ships from our raiding party
arrive at the dock. Missing is the one that contained the male
captives. I recall hearing that men that are not part of Kurtz’
group are rarely permitted within the compound, and conjecture that
it must have diverted to some other location.
On the lead longship, a blonde haired
man jumps up to the rail by the prow, so he stands at the side of
Lady Nessa. It is he who commanded the raid on her barge.
He is young to be in charge of such an
operation, but he is strong, virile. This is a man with greatness in
his future.
Blondie did a good job of leading his
mission, but his face has the implacable merciless quality you see in
many Goreans.
“Honoured warriors,” this man calls
out to the crowd, “and worthless slaves. I present the proud
free-companionship party of Lady Nessa. Please welcome our guests to
the compound of Kurtz.”
He sweeps his arm in front of her, as
if unveiling a work of art.
The jeer is like a roar.
From somewhere within the crowd I see
an object arc its way across towards Lady Nessa. It strikes her
squarely on the face, the thrower’s aim being good, and she is
splattered with the scarlet juice of some Gorean fruit.
Nessa cries out.
I don’t have time to feel sorry for
her, because I look back furiously to the crowd in time to receive my
own missile, which is less accurately thrown and strikes me on my
thigh.
“Sleens!” I call out defiantly. “I
hate you all.”
I had been expecting something like
this – abuse by the mob. They are reaffirming their membership in
the group by turning on the outsiders. The women, closest in status
to ourselves, are likely to be more insecure about our arrival than
the men folk, and thus be the most hostile.
“Rape them!” a female voice calls
from the crowd. “Brand them!”
This maltreatment continues for several
minutes. I become sticky with the juice of fruit, missiles thrown at
me from the crowd. Men approach us, beasts miming obscene sexual
gestures or clutching their genitals, but the abuse from them has
fortunately not turned physical.
Their faces are inhuman.
“Enough,” the blonde warrior calls
then, and the crowd stills instantly. Authority and order still reign
within the compound of Kurtz, and we will not be permitted to come to
real harm.
Udumi, she who was smuggled on board
the barge to start the inferno, has jumped down onto the dock as
gracefully as a cat, next to the blonde leader.
I find her quite beautiful.
“Permission to run to my Master,”
she wheedles in a needy childish voice.
“Run to the Ubar first, kajira,” he
says. “Tell him we have the captives ready for judgement. Then you
may fetch the head slaver.”
Obediently she races away.
I am expecting her to head for the most
palatial of the buildings, but the hut she heads towards is small,
almost humble, although it occupies a prominent position in the
harbour.
I look down at myself. Fruit is
dripping from a strike near my naked hip.
Shifting in my ropes, I try futilely to
hide my body.
I realise I am nervous. Not nervous
because I am a man stuck in the body of naked woman, but because of
the electricity in the air. There is expectation in the crowd.
Something important is about to happen.
“He won’t come out,” a man
predicts sourly.
That man’s attitude is interesting to
me, as are many things here to a soldier engaged in reconnaissance. I
have been in Kurtz’ camp for a matter of moments, and I have
learned much.
Something is wrong here – the men
seem rebellious and demoralised. Their leader is absent, and without
his guidance the great work of building defences has been abandoned.
The blonde haired fellow appears to be
de-facto in command. Much is not disciplined. A warrior sleeps
unconscious on a jetty a short distance away, drunk or drugged.
Udumi emerges from the hut, still
alone, and makes for another building.
“Told you,” the man says cynically.
She will be on her way to fetch the
“head slaver.”
I look down and see Aurore’s breasts,
hanging full as ripe fruit. My mind is filled with images of what is
to come – the hands of men on me, faces looming over mine as they
force me down into the furs.
I glance to either side. The women
either side of me have also stilled, as we await the decision on our
fate.
Rorius told me before he died that I
must submit myself completely to survive, but I can only do that and
complete my mission if I can keep my sanity.
Here goes.
16 - Judgement on the docks
This man was described as the head
slaver, but to me he gives the impression of being of the warriors,
or perhaps one of the assassin caste, for his clothing is armour of
black leather. He has two short swords strapped round his waist, and
I can tell by the casual way he wears them that he’s experienced in
their handling.
Mister black-leather strides up and
down the dock, studying the captives.
He stops before me.
“Hello pretty,” this man greets me,
looking deliberately and at length up and down my naked body.
He might be considered handsome, having
strong features and piercing dark eyes, but the way he looks at my
body does not incline me to like him.
Here stands a true Gorean male, a man
used to taking what he wants by whatever means he wishes. Rorius and
Telisio were true Gorean men, but they knew me as Aurius, and they
were my guardians. This man sees nothing but a desirable female
before him. I shall receive no mercy.
Nonetheless, he called me “pretty”
in a way I did not like.
I am slightly higher than him from my
bound position, so I give my reply by spitting on him, an elastic gob
that clings to the black leather of his tunic.
“She’s spirited, this one,” the
man who first caught me says apologetically.
“Fetch me a whip,” black leather
tunic says calmly, his eyes locked on mine.
Inwardly I groan. I’ve forgotten the
role I’m supposed to play already. I shouldn’t have risen to some
simple lechery. My remaining masculine pride was provoked, and I’ve
made things worse for myself.
Getting a beating here on the prow in
front of the crowd is not going to be good. I don’t like the idea
of begging or screaming before strangers.
All the same, I can’t bring myself to
break the confrontational stare between us.
“She should be taken before Him
before you do anything, Chiron,” my captor counters nervously.
So this is Chiron, the one that they
said I was “his type”. He seems to be high ranking within Kurtz’
group, or at least the other men treat him with some deference. Even
the blonde warrior I had assumed to be leader treats him with
respect.
“Fetch me a whip,” Chiron repeats,
in a voice that is not to be countered.
Such an item is duly obtained, and
handed to him. It is not the coiled Indiana Jones bullwhip, but a
whip with multiple strands of shorter thin leather, reminiscent of a
horse’s tail.
This is a slave whip. It is intended to
cause pain, rather than injure or maim.
I shuffle vainly, attempting to shield
my torso by any means, even though I know I’m tightly bound.
By now I am expecting him to draw back
his arm in order to lash with force, so when the touch does comes its
nature takes me entirely by surprise. It is a gentle brush from the
whip, right between my legs at the sensitive apex. I cry out, my body
tensing entirely from instinct at the intense stimulation, throwing
my head to the side and my whole form freezing rigid.
Then the whip is gone, but I can still
feel where it touched against me, and my face grows red as I know the
damage is done and it is damage of a different sort.
I have just experienced what is called
a whip caress. The purpose of it is to surprise a female into
revealing her sexual responsiveness. Aurore’s body is more unused
than most to being touched, so I am hypersensitive, and I’ve just
shown that to everybody.
Even once the whip has gone there is a
lingering tingle remaining from my sex.
“Interesting,” Chiron says,
watching my face burn with humiliation.
“Her response is exceptional,”
someone else says, almost awe-struck, as I feel more and more
ashamed.
“Superb,” another voice says
reverentially.
Chiron turns to my first captor then,
sighing as if fulfilling a chore.
“Bring her down,” he says.
At last, warriors with knives move
towards me. Priest Kings be praised.
When they cut me free from the prow, I
fall into the arms of the man in front of me.
I discover then I am unable to
straighten my legs. A man has to grab my ankles and pull them out,
and I scream with pain as locked muscles finally uncramp.
There is a similar shriek from Jaya
that shows she is also suffering.
Well outnumbered, we are easily carried
away.
The building we’re dragged towards is
the small, humble hut, which nonetheless occupies a prominent
position in the harbour. Here Udumi first ran, when she was sent for
the Ubar.
The sense of approaching some
life-changing collision is becoming overwhelming.
He’s here. Kurtz is in here.
The hut has no windows, and a curtain
at the door is part closed, leaving the interior in almost complete
darkness. Despite this disinterest in us, on a short jetty before
this structure the three of us are forced to our knees, lined up one
behind the other.
Gratefully I rub my wrists, restoring
the circulation. There are deep red rope marks at all the points
where I was restrained.
All the women kneel with their thighs
together, instinctively hiding our sex by adopting the position of
free women or tower slaves.
My male intellect then reminds me of
its existence, because even covered in fruit stains I can’t help
noticing how beautiful the curves of Lady Nessa’s backside look
when she’s in this position.
But the soldier’s part of my
masculinity is busy, racing in more serious thoughts. The focus of
the wrongness I have sensed throughout the compound is to be found
here. People keep glancing towards the darkened doorway of the hut,
like they’re worried children that can’t get a reply from a
sleeping parent.
I am in a place is missing the
influence of its Ubar.
The dark-haired warrior, he who
administered the caress to me, eventually addresses us.
“My name is Chiron,” he says,
striding back and forth before us. “I am the head slaver among the
men of Kurtz.”
I see that hanging from his belt are
now bands of steel, open bands, about the same diameter as a female
neck.
Slave collars.
“The only reason you live is because
you are women, and you have the potential to serve and please men.
There is no purpose here for a woman other than to serve us, and
therefore a free woman’s life will not be spared.”
“You have a choice. Beg for the
collar of a slave and call me Master, and you may live. If you do not
accept slavery, you will be cut and then thrown into the water, where
the thalarion will be drawn to your blood to eat you.”
He only gives us a moment to think
before he says, “bring forward the first female.”
Lady Nessa is dragged towards the edge
of the jetty by a warrior holding each of her arms. Her eyes are wide
with terror as she looks at the muddy water of the harbour.
“No, no!” she pleads.
This must be even more frightening for
Lady Nessa than for the other captives - I recall she cannot swim.
She screams with misery as she is forced to kneel right at the edge
of the jetty.
Then my kind hearted friend cracks.
“Masters,” she weeps, “Please, I
beg for slavery.”
“Your request is granted,” Chiron
says.
The collar is snapped around her throat
only an ihn, a Gorean second, later, and at that instant she is no
longer Lady Nessa. She is not even Nessa, unless that title is chosen
for her. She is a nameless slave.
That same newly collared naked slave
kneels on the jetty, her head down.
“She will be taken to the pens, where
she is to be trained,” Chiron says in a perfunctory manner, as if
this ceremony has happened hundreds of times.
“Now - does anyone wish to master
this woman?”
“I want her,” a warrior says from
close by.
It is the blonde haired young warrior
from the barge, he who led the mission. He is not un-handsome, and a
good specimen of Gorean manhood.
There is a pause for a moment – I
deduce that Chiron is waiting for any other interested parties to
declare, in which case some kind of contest must take place.
There is none. Perhaps this fellow is
not one to be crossed.
“Very well. When you wish her use,
send for the girl and she is to share your furs.”
Nessa is weeping as she looks fearfully
up at her owner. This is the man who is likely to take her virginity.
Whatever Nessa’s future fate, he will be remembered as one of the
most significant people in her life.
Jaya is next. As Nessa did, she
capitulates quickly.
I would have expected Nessa to be more
highly contested, but this time there are three men who desire the
newly-collared slave girl to share their furs. A fencing competition
ensues to decide the issue, and we all have to wait as the crowd
cheer on their favourites.
Jaya is not consulted in this – she
has already been collared and is now merely slave.
I look upon the good humoured contest
with disgust. It is barbaric – three men sporting over which one
gets to rape a slave.
Gor is a hateful place.
While I wait unhappily for the
resolution I stare at the rough wooden planking of the jetty, and I
reflect that my turn is coming next.
The men on the boat said the one called
“Chiron” would want me, but I’m damned if I’m going to screw
him after he humiliated me in front of everyone. I can still feel
where that whip touched my most intimate place.
The thing that horrifies me is that I
couldn’t control that reaction. If he took me by surprise and did
the same thing, I’d respond in exactly the same way.
As I dwell on the involuntary betrayals
by Aurore’s body, a dark haired man with a scar on his face wins
the contest for Jaya, and knotting his hand in her hair he bends her
head back and collects a victor’s kiss.
There is cheering from the crowd.
“Bring forward the next female,” he
says.
A warrior grabs each of my arms, and it
is my turn to be dragged to the edge of the jetty.
“If you wish to live, beg for the
collar of a slave,” Chiron’s voice instructs me languidly.
The smell of burnt human beings from
the barge is still in my hair. Rotten fruit sticks to my skin. I have
been stripped and ridiculed.
He sounds almost laconic, so sure is he
that I’m going to capitulate. I suppose that history is in his
favour. I have read many Gorean scrolls which describe the female
beginning her journey into slavery by submitting as a survival
mechanism to avoid death, before joyously releasing her inner slave.
I think that’s a load of bosk crap.
“You people had no right to murder
those slaves on the barge,” I hiss angrily, making sure my
condemnation can be heard by as many as possible. “Those poor men
burnt alive. I would rather die than be slave to such men as you.”
And with that, I rock forward on my
knees, overbalancing towards the water.
People are shouting. Someone grabs my
ankle at the last moment, a large male hand, and I am dragged roughly
by this handle back onto the jetty.
From in the water, something boils just
in front of me, and I glimpse the snap of a brightly coloured
reptilian snout, but the teeth just miss my face.
An unknown man has just saved my life,
but for me their act is a painful experience. I feel a searing pain
from my hips to my belly as the wooden planking at the edge of the
jetty grazes my soft skin.
I’m dragged safely back on the wooden
planking, dumped on my side in almost the same pose as when I emerged
from the transformation process, and everything goes quiet.
There is a stunned silence on the dock.
Clearly no-woman has ever chosen this way before.
Then, from the near darkness in the
hut, a deep male voice speaks for the first time.
“You can call us murderers, yes, but
do not think you have the right to judge us, daughter of Gor.”
His voice is resonant, charismatic. I
am reminded of the voice of Vader from the Star Wars movies. It tugs
at something deep in my belly, vibrating intensely. It is Kurtz. I
can’t see him, but I just know by the reaction from the crowd.
Everyone has turned to look into that
dark doorway. I stare up, and my eyes begin to make out a giant man’s
shape, slightly darker than the background shadows.
“Do you think I am unaware of your
purpose in coming here?” that shape continues. “You are in no
position to accuse me of cruel murder. What do you call it when the
assassins accuse the assassin? Tell me, woman - did you plan to kill
me immediately, or after giving your illinformed opinions on my
actions and my morality?”
I thought I knew fear as I tipped
towards my death in the water, but the voice brings a new horror. He
knows.
Priest Kings help me - what are they
going to do to me if they know?
Unwanted, the voice of Misk comes back
to me, saying, “Parts of our agents’ bodies are returned to the
Sardar as a message – limbs, heads, genitals. The treatment is
barbaric.”
My future isn’t even the misery of
slavery. I have endured all this only to find a tortured death.
“You may call me a murderer, yes. I
have killed many,” continues the voice. “But do not judge me for
that, woman warrior. If anything – you are more responsible for the
deaths on the boat than I. Your ignorance of this fact makes you a
fool.”
The word “ignorance” is almost
spat, such is his dislike for me.
The warriors on the dock are still
looking uncertainly towards the hut, their free will lost in the
force of his personality. I can see they were not expecting Kurtz to
involve himself in the selection.
But the alpha male has reminded them
that he is Ubar, and now, like children, they look for guidance.
“She would prefer to be treated as a
warrior than a woman. So take the woman to suffer the death of a
warrior,” the voice says. “Put her in the cage.”
His words fill me with dread like I’ve
never felt before. I even don’t know what “the cage” is, but it
doesn’t sound good.
A male voice speaks up from behind me.
“I wish to take her first,” he
says. “If she is to die anyway, Ubar, let me rape her and then she
can go in the cage.”
I turn my head to look in alarm at the
speaker. It is he who caressed me with the whip, the one they call
Chiron.
My stomach rolls with further horror at
this prospect, and I look back to the hut, hoping that Kurtz doesn’t
agree.
“None shall touch her,” the bass
rumble answers from the hut, and I can’t help feel a moment of
gratitude towards this man, even though I’ve just been condemned to
death by him. At least I shall meet my end without enduring that
violation.
“You are illogical,” Chiron
persists. “It is a waste to let her die without using her. You did
not see how she responds to the whip. Her body cries out for the
touch of a man.”
My face reddens. Everyone saw how I
reacted to the shameful caress, and there is some murmuring of
agreement from within the crowd.
“When I am dead you will be Ubar
here,” Kurtz responds. “But until that day, I am Ubar. So draw
your weapon and step inside, if you wish to further debate the issue,
or be about your business.”
For the first time I see Chiron look
unsure of himself. This is even worse news for me than provoking the
anger of the Ubar. I have led to Chiron being belittled in front of
the rest of the compound.
“I am the head slaver,” he says.
“She is my business.”
There is no reply from the hut.
He does half-draw his weapon and I
think for a moment there will indeed be a blood fight. But Chiron
turns to look at me and I can see he has found an easier focus for
his aggression.
“Remember me, free woman,” Chiron
says, and he slams the blade back into its sheath. “I swear that if
you live, one day I will break you.”
17 - The Cage
In the water, something brushes against
the bare skin of my thigh, close to where a brand might have been
placed.
Don’t panic, I tell myself. That was
just a fish.
There is, located in these fresh
tropical waters, a carnivorous fanged marsh eel called the bint. But
they only attack when attracted towards blood.
The scratches to my abdomen I sustained
on the dockside have closed up. Aurore’s skin will soon be flawless
again, and I will not be attacked as long as I don’t sustain a
fresh injury.
The bars that form the sides of my
submerged cube-shaped cage are too close together to permit the
thalarion to enter, but smaller harmless lake creatures may come and
go. I am not intended to die from being eaten in the cage – I am
meant to drown.
The roof of the cage, formed from that
same criss-cross grid of bamboo bars that makes up the walls, is
level with the surface of the lake. When the wind picks up, waves lap
over it and I am splashed with freshwater spray.
It didn’t take me long to determine
that the gaps between these roof bars have been fashioned to be large
enough to fit the head of a human being, but not to permit the
shoulders and the rest of the body to exit.
Thus I can breathe easily, as long as I
remained swimming or holding on to the bars, but I cannot escape, and
there is no means of resting.
The cage floor is down below, out of
the depth of even the tallest of men. At one point I dived down,
checking there was actually a floor, and I couldn’t simply leave by
swimming underneath.
It turned out there was no exit through
the depths.
“I am trapped,” I confirmed when I
surfaced like a mermaid, reaching through the bars to smooth back my
soaking wet hair.
If Kurtz is true to his word,
eventually I will die in here, because I can’t keep swimming or
hold on to the bars of the ceiling forever.
It will not be an easy way to go.
Tiredness will take hold of me; I’ll start to panic as I get too
exhausted to keep moving; and eventually even the adrenaline of fear
will not be enough to energise my limbs. It will could take several
days before my human instinct to survive is overwhelmed.
“I would wager that they don’t
intend to kill you,” a man called Kwesi says to me. “Look –
here he comes again.”
One of the warriors is walking along
the jetty towards our cage. He stops when he is standing over us –
the floor of his jetty being constructed six inches further above the
surface, so I look up from a very humble position below him.
The warrior waits for a moment, giving
us the chance to say something – pleading for our lives, perhaps,
but nobody speaks. Then he shrugs, turns and walks slowly back
towards the compound, which is a short distance away.
The cage has been sunk into the area
where the lake meets the marsh, outside of the main fortifications.
We are far enough into the reeds that a vessel passing by with a
would-be rescuer is unlikely to spot the miserable prisoners in the
vegetation, but we still have a reasonably unrestricted view of the
lake.
The wooden jetty above my head runs to
a grassy area that extends out from the back of the compound. I
assume that on this grassy mound must be located the original Kurii
landing site, but from down in the reeds I don’t have a
satisfactory view of the geography.
“I would wager that they don’t
intend to kill either of us,” Kwesi adds. “You are too desirable
to waste, and they would rather leave my vessel with its captain
intact.”
Kwesi is my companion in here. It must
have been a surprise when a beautiful naked woman was pitched through
the hinged opening in the roof of the cage to join him for a swim.
“It’s very kind of you to provide
such pleasant company,” he called out to the guards as they
padlocked the exit and then walked away from us.
Left alone, we made our introductions,
facing each other with my head through one gap in the bars and his
through another a couple of feet away.
I discovered that Kwesi was the captain
of a merchant vessel, trading between Schendi on the coast and the
settlements on Lake Ushindi. When Kwesi refused to pay a levy of his
cargo to Kurtz, his entire ship was seized and he was thrown into the
cage to reconsider his negotiating position.
I agree with his assessment that his
ship is more valuable with its captain intact and generating future
income, and it is unlikely he will die in this mesh of bamboo.
Furthermore, on a personal level in my
opinion it would also be a shame to kill him.
“Water, water,” he pleads up to the
guard on one of the periodic visits, and I can’t help smile despite
our predicament. It’s the first time I’ve done so since the raid
on the barge.
As a man, I would have enjoyed his dry
sense of humour, but Kwesi is also particularly charming to Aurore,
talking to me in a way that is unlike Rorius or Telisio, and unlike
Aurius’ former male
acquaintances.
It is impossible not to react to this
gallantry.
Everything below my neck is submerged
in the brown waters of the lake, so it is the first occasion I
haven’t needed to feel ashamed of my nudity. I am a female head,
enjoying conversing with a male head.
We are aware of our difference in
sexes, but for once I am not belittled by being the weaker one. He is
a handsome black skinned man with a beautiful deep bass voice.
However, other men around here have not
forgotten that as a Gorean woman, my beauty defines me. At one point
the one called Chiron comes to stand over the cage. Kwesi greets him
jovially, but Chiron is only interested in me.
“Don’t think you will be allowed
such an easy death, female,” he says. “Here’s a taste of your
future.” Extracting his manhood, he then urinates from above us
into the water.
I realise an instant beforehand what
he’s about to do and duck below the surface, propelling myself
backwards and out of range, but not quickly enough to avoid feeling
something warm splash my hand.
“Not very big, is it?” I retaliate
when I’m back up breathing the humid tropical air. “If you ever
do take me, you’ll have to let me know when you’ve started.”
“She-sleen,” he says as he stalks
away.
Late in the first afternoon it pours
with rain, huge warm raindrops that wet you to the soul in the way
that is only possible in the tropics. Visibility drops right down and
we can barely see the compound.
“No one will come and check on us
when the weather is like this,” I predict miserably, and I am
correct.
My initial angry response to the
incident on the barge and the mob humiliation at the docks has faded
now the crowds have gone, and as the rain soaks my head I reflect on
my mission with a clearer mind.
My masculine ego has got in the way of
completing the Priest King’s task. I will not succeed by dying here
in this cage. I will not, one day, be relaxing on a beach on Urth if
I die, either.
Would slavery be that bad when it means
living for a little longer? Nessa and Jaya embraced life quickly
enough. Why not Aurore?
I know what stopped me. It was the
prospect of seeing the victory in their faces when they took me.
This look of conquest is what I imagine
when I think of being taken, as I’ve often done since awakening
inside Aurore’s divine body.
Because of my refusal to yield I have
already antagonised the one called Chiron, and what is worse for me,
by spitting on him before the crowd I’ve publically insulted his
warrior’s pride.
Being taken by Chiron would be the
worst of them all, but would it be worse than death?
It might be. He wouldn’t just want to
take me as a slave. He will want me to suffer. Chiron will want to
redeem his honour in front of his peers by showing he has conquered
me in every way.
Even so, one day, all this might be
over, just a bad memory. Or would the nightmare images haunt me
forever?
My head is already drenched from the
now slowing rain, so trying to focus my thoughts I relax for a moment
and sink below the surface.
The lake water is muddy and the
visibility is low, but it still feels as cleansing as a baptism. I
glimpse the tail of a fish flee me with a flick. Gor can be such a
beautiful world.
When I emerge, I feel resolved and more
ready to fight on. I am Aurore of the Sardar, agent of Priest Kings,
once Aurius of London. I will re-engage in my mission, whatever that
takes.
“Do you have anything we can attach
ourselves to the side of the cage with?” I ask Kwesi with fresh
dynamism. “We could support ourselves while we rest.”
He shakes his head.
“I am as naked and therefore as
unequipped as you, my dear.”
Until then, I had not thought that he
too might be nude. Perhaps since my arrival he has thought of nothing
but being naked in the cage with an attractive member of the opposite
sex. Water is the only thing separating his genitals from mine.
“Why are they killing you?” he asks
me then, genuinely confused. “The typical punishment for a woman is
to make her slave, and to kill one so beautiful deprives the world of
its chance to look upon you.”
“I am one of Kurtz’ enemies,” was
the only answer I could come up with.
“But if you are a female enemy,
making you live as slave is a worse punishment than death,” he
says.
Kwesi pauses while he thinks, and
smiles at me then, certainty in his expression.
“I wager they do not intend to kill
you.”
“You didn’t hear Kurtz’ voice,”
I counter. “And the Ubar is known to be without mercy.”
My reply gives me pause as I realise
the truth of my own words. Perhaps I truly am too late to change my
mind and submit, and I will drown in this cage of water.
When night falls our morale drops with
it. The water feels colder, and for the first time in these
equatorial jungles, I consider that the chill may be a threat.
The rain, which slowed late in the
afternoon, has renewed its intensity. It has been raining for some
hours. The night is pitch dark, our illumination from the three moons
of Gor being obscured by the rainclouds.
A body of water the size of Lake
Ushindi shouldn’t be susceptible to rain, but I see the water level
has risen by the length of a fingernail. Drowning may be a threat to
me, after all.
I wonder what is happening to Nessa,
and Jaya. Perhaps they are warm in the furs of some warriors while
naked, they serve his pleasure.
In the middle of the night a terrible
sound interrupts the noises of nocturnal wildlife. It is a man
screaming, an agonised noise. This is not the sound of fear – it is
someone enduring the torments of hell.
“What was that?” I ask, trying to
think what tortures might produce such a cry.
“Best not to know, I think.”
Then, without warning, the muscle in my
calf cramps. I stretch out my seized leg, awkwardly trying to massage
without submerging, but a few minutes later it does it again.
This time I cry out with pain.
“What is it?” Kwesi’s voice asks
from the blackness.
“Cramp, in my leg. I think it’s the
cold.”
“Permit me to massage the muscle for
you.”
I feel a little uncomfortable about the
idea, but for my survival it is sensible to accept the suggestion.
Cautiously I extend my foot, stretching
my toes out like a dancer, until I feel them make contact with his
body. It is solid, masculine. Then I feel Kwesi’s giant hands on my
calf.
His fingers make circular motions,
rubbing deep into the flesh of my slim leg to relax the muscle. It is
very soothing, and I can’t help groan with relief in Aurore’s
high voice.
There difference between our sexes
feels even more important to me now. Massage is always sensuous, but
something about my being Aurore means there is an eroticism in his
actions.
Staying alive must be my top priority,
however. Soldiers are trained to tolerate personal humiliations for
the greater objective.
“I can hold you, support you while
you rest,” he suggests next. “Then, you can support me. We might
be able to last longer.”
I’m not overly enthusiastic about the
idea of even closer contact with a naked man, but again the
suggestion is sensible. I warily concede.
“Move closer,” he says, and I do
so, ducking below several sets of bars to lift my head above the
surface in the square of space next to him.
As we get close our bodies begin to
brush together while I manoeuvre into position – kicking feet as we
treat water, a thigh or an arm making contact, my rubbery nipple
stroking his chest as I twist my torso.
I am facing him. We are intimately
close, and I am even more aware he is a man, and I am now a woman.
He would only have to extend his neck
to kiss me, and he looks for a moment as if he’s contemplating it.
Deep in my belly there is a glow. A
part of me wants him to make the move that would break down the
emotional divide between us. That part of me is telling me that
feeling his lips on mine might not be unpleasant.
It is perhaps lucky that he cannot read
my conflicted mind.
“Turn around and rest back against
me,” Kwesi says. “I will hold you.”
I do so. His hands search under the
water for my forearms, and as he folds his arms around Aurore’s
narrow waist I lean back into him, finding myself supported. It is as
I’d thought. The sensation of having my back against his chest is
really quite nice.
But then I feel something different
against me, something as firm as a limb. His blood is aflame, and is
pushing between the cheeks of my buttocks.
I have been tricked. I panic, and flail
in the water.
“No!” I cry, suddenly thrashing to
escape, but without warning the grip of his arms goes as tight as a
vice, and I am trapped.
“Calm down, I’m not going to rape
you,” he is saying urgently into my ear, and his arms hold me even
more firmly, like he’s taming a wild horse in danger of harming
itself. “Be still, girl.”
I struggle, but he’s stronger than
me, and it doesn’t take me long to realise I’m not going to let
me get away until I give in and breath calmly.
Gradually I stop resisting, defeated,
and I try to un-tense my muscles.
“I’m not going to rape you,”
Kwesi repeats as my heart rate begins to slow. “You are beautiful,
so my reaction to your body is completely natural, and is beyond my
control. But men of honour only rape slaves, and you are not a
slave.”
I don’t agree that “real men rape
only slaves”, but that attitude makes him almost a feminist by
Gorean standards, so I can’t help feeling some gratitude.
Once as Aurius the soldier, or Arran as
they knew me on Earth, I was on a winter survival exercise in a
bitterly cold region of Swedish forest. That night I slept naked
between three other men, sharing our body heat as we had been
trained.
We joked much about homosexuality, but
in the army you have to be used to each other’s bodies, and the
night passed without incident.
Aurius was a reasonably handsome man,
so in my former life I’d been with my share of turned-on women. But
this is the first time in my existence I’ve had physical contact
with a sexually aroused male.
His manhood probes against me like a
rod.
I know from experience of being in his
place and having a woman’s body against me that each small movement
I make under the water might be stimulating him, so I feel
self-conscious of my body in a way I’ve never done before.
At the same time, I am beginning to
relax. He’s not going to force himself on me. This is just human
attraction. He is right. It’s not so bad.
“Sleep,” he repeats, but it takes
some time before my fears reduce enough to allow that, even though I
have not slept since my capture, and I am exhausted.
I awaken abruptly from a disturbingly
sensual dream to find myself still in his arms. The contact between
us is even more intimate now. One of his hands cups my breast, so my
nipple pushes into his palm. The other arm runs round my belly and
down to the fulcrum of my legs, where I am supported by him moulding
his hand to my sex.
The sun is rising over the reeds.
How long has he been touching me like
this? Where else have his hands been? Did I respond to him? Is that
why I had the dream?
“No,” I say, when I feel his
passion still aflame, pushing my way out of his arms, and he releases
me immediately.
I bob up, several squares away, to see
him looking sympathetic.
“You’ve never been with a man, have
you?” Kwesi guesses.
“No,” I say. We’ve been intimate
enough already that there can be noharm in admitting this.
“Is it really worth dying for,
protecting your honour from us?” he asks in a gentle voice.
I consider. It’s not just my
virginity. I don’t even entirely dislike the idea of having sex
with a man instead of a woman. I might actually enjoy it under the
right circumstances, and I don’t intend that Aurore remains
celibate for her entire life.
“I don’t want them to feel they’ve
beaten me,” I answer. “I don’t want to be just one more Gorean
female conquered by Gorean men,
perpetuating the culture of male
superiority.”
“You are proud,” he says, “as
every woman is, but is that pride worth everything? Sacrificing your
life will not prevent the rape of other women, but by living to prove
your case you might help your sisters.”
I’m morally right, I’m sure, but
his argument makes me feel like I’m being a petulant teenager.
“I suppose there’s not much point
to my dying in this cage,” I reluctantly say.
“Let me hold you again, free woman of
Gor,” he gently requests. “Experience the contact with a man,
knowing he is not going to force himself on you.”
This time I comply more quickly,
ducking under the water and moving back into his arms, as we had
spent the night.
As I move my backside against him I
discover him even more inflamed than last night. His arms circle me
intimately, but I do not react by attempting to escape.
“You are naked, in the arms of a
man,” he says. “Is this fate so dreadful?”
I am silent.
What can I tell him? That I’ve been
sent here because of my male heterosexual personality, but I’m
starting to quite like the way men can react to me? With Kwesi’s
giant frame enclosing me, it is impossible not to feel protected. I
am sure that for now, he will not permit anything to happen to me.
I wonder if this is my female body
beginning to influence me, that I can so enjoy being held in the arms
of a man. If so, it is not a good thing. I am supposed to remain male
in thought.
I must resist yielding to the feminine,
but not for now. The soldier’s survival option is to permit him to
hold me. Thus, we are still in this intimate hold when a warrior from
the compound comes to check on us.
By this time, the sun is high in the
sky. It is oppressively humid. A cloud of insects are above us, but
they don’t seem to be biting.
Above the surface of the water, my long
hair has dried. Below, it fans out like the fronds of an aquatic
plant.
We squint up as we both look to the
guard.
“I have been considering my
negotiating position,” Kwesi informs the guard in his good humoured
voice. “I am willing to accept the offer made to me.”
“In that case, why are you there in
that cage?” the guard asks with black humour. “There is no reason
for it.”
“There does seem to have been an
oversight,” Kwesi agrees.
The guard unlocks the trap door lid of
the cage and flips it back, exposing a square exit large enough for a
human being.
“Farewell,” Kwesi says to me as he
releases his hold on my slender frame. “Consider that life still
has many wonders to show you, lady of the Sardar.”
With that, he ducks under the bars to
reach the exit. The guard leans over, lending a hand to pull the
muscular man up from the water.
This is the first time I have seen
Kwesi’s body. He really is beautifully toned, gleaming like
polished ebony. His organ, still rampant, is unusually large.
I wait, small and forlorn in my corner.
The cage feels large and empty without him here. I know if I attempt
to escape there will be a retribution, so I watch passively as the
hatch is closed and relocked.
The stillness of my body shows nothing
of the conflict in my thoughts.
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